Short
Story Terms
English –
Mr. Dawursk
|
R |
Climax |
The moment when the action comes
to its highest point of dramatic conflict. Most often, the climax occurs before the actual ending of the
story. The highest “action” in the story. |
|
R |
Character |
The individuals in the story. |
|
R |
Characterization |
The various methods used by authors to communicate their characters to
the reader. |
|
R |
Complication |
Any obstacle that increases the
tension of the story conflict. |
|
R |
Conflict |
The central source of tension and
drama in the story; also called the story
problem. |
|
R |
Description |
Verbal representation of
characters, scene, or action, used to make the story more vivid for the
reader. |
|
R |
Denouement |
French word for “the tying of ends;” also called the resolution to the
story and comes after the climax to bring aspects of the plot to a close. |
|
R |
Dialogue |
The actual words that characters speak. Authors use dialogue skillfully
in the short story to portray character and to dramatize conflict. |
|
R |
Diction |
The author’s choice of words, the
vocabulary level of the story. |
|
R |
Direct
Characterization |
When the author tells us what the character is like. |
|
R |
Dramatic Irony |
A technique that increases
suspense by letting readers know more about the
dramatic situation than the characters know. |
|
R |
Exposition |
Background material about the characters, setting, and dramatic situation
with which the author introduces the essentials of the story to the reader. |
|
R |
Falling Action |
The part of the story, following
the climax and leading to the resolution, in which there is a sharp decline
in dramatic tension. |
|
R |
Flashback |
A writing technique that tells the reader about an event that happened
in the past. |
|
R |
Foreshadowing |
A writing technique that gives readers clues about events that will
happen later in the story. |
|
R |
Indirect
Characterization |
When the author shows us what the character does, says,
thinks, or feels or through other character’s comments or actions toward the
character. The author lets the reader make their own interpretations. |
|
R |
Hyperbole |
An exaggerated statement used to make
a strong effect. |
|
R |
Imagery |
The use of selected details to
describe one thing in terms of another. This helps suggest additional
meanings and feelings. |
|
R |
Irony |
A particular tone created when the
speaker intends a meaning that is opposite to the words he or she says. |
|
R |
Limited Point Of View |
The author tells the story from the viewpoint of just one character |
|
R |
Man Vs.
Man |
Involves conflicts between people. |
|
R |
Man Vs.
Society |
Involves conflict between an individual and larger groups. |
|
R |
Man Vs.
Nature |
Involves conflict between an individual and the natural world. |
|
R |
Man Vs.
Himself |
Involves characters’ psychological conflicts with themselves. |
|
R |
Mood |
The overall feeling created by an
author’s choice of words. Example: light and happy or dark and brooding. |
|
R |
Narrator |
The speaker who tells the story. If the narrator is also a character
who participates in the story, it is important not to confuse the narrator
with the author who may, in fact, hold a very different attitude toward the
story. |
|
R |
Omniscient
Point Of View |
The author is outside the story and presents the thoughts of all the
characters involved as an objective observer. |
|
R |
Point
Of View |
The perspective from which a story is told: omniscient or limited. |
|
R |
Protagonist |
The central or main character of the story. |
|
R |
Resolution |
The conclusion of the story. The resolution includes the story’s
action after the climax until the end of the story; also called denouement. |
|
R |
Rising
Action |
The part of the story usually after the inciting moment in which the
tension rises. Rising action builds to its highest point of tension at the
story’s climax. |
|
R |
Setting |
The environment in which the story takes place. |
|
R |
Structure |
The framework that determines how a story is put together; it
“skeleton.” The structure of many stories includes five basic parts
exposition, inciting moment, rising action, climax, and denouement. |
|
R |
Style |
The characteristic ways that an individual author uses language
including word choice, length and complexity of sentences, patterns of sound,
use of imagery and symbols. |
|
R |
Suspense |
Techniques used by the author to keep readers interested in the story
and wondering what will happen next. |
|
R |
Symbol |
An image, object, character, or action that stands for an idea (or
ideas) beyond its literal meaning. |
|
R |
Theme |
The generalized universal problem or issue that the plot explores. |
|
R |
Tone |
The clues in a story that suggest the writer’s (or narrator’s) own
attitude toward his or her characters, setting, conflict, and other elements
of the story. |
|
R |
Understatement |
A figure of speech in which the speaker says less than what he or she
actually feels. |
|
R |
Verbal
Irony |
The use of figures of speech such as hyperbole and understatement to
create an ironic effect. |