Theatre
Terms: Week #6
Dramatics - Mr. Dawursk
|
Stealing the Scene: |
Taking audience attention away from the proper
focal point. |
|
Strike: |
Take down set and props after the show's
performance. |
|
Tag Line: |
Final line of play. |
|
Take Stage: |
To capture audience attention legitimately, as
opposed to "give" and "share." |
|
Teaser: |
Overhead curtain that masks the first border of
lights and that regulates the height of the proscenium opening. |
|
Theme: |
Basic idea of the play that gives unity to all
elements. |
|
The Method: |
refers to the stanislavski
approach to acting. |
|
Throw Away: |
Under emphasize a line or action. |
|
Timing: |
To give lines and movement at the exact, effective
moment. |
|
Topping: |
To exceed the tempo and pitch of the previous
speech |
|
Tormentors: |
Side curtains or flats that adjust the proscenium
width at the extreme down right and left. |
|
Trap: |
Opening in stage floor that permits actors to enter
from beneath the floor or to the exit beneath it. |
|
Tryouts: |
Auditions for parts in a play. |
|
Understudy: |
Actor who is able to play a given role in an
emergency |
|
Upstage: |
Area farthest away from audience, toward the
backstage wall. |
|
Wagon: |
Rolling platform on which horizon scenery or lights
are placed for quick changes. |
|
Walk On: |
A part where the actor walks on and off stage
without having any lines to say. |
|
Warn: |
To notify that a cue is approaching. |
|
Wings: |
Off stage to right or left of the acting area. |
|
Work Lights: |
White lights used solely for rehearsal. In some
theatres the strip lights are used in place of work lights. |
|
X- ray border: |
Compartmental lamps that hang on the first border
to help blend acting area spots; usually wired for three colors. |