| Area above stage where scenery is hung or stored by lines from the grid. | | |
| Lights without lens; used for blending and toning. | | |
| Canvas used to cover acting floor. | | |
| Flat skeleton diagram of the acting area shape and it's corresponding furniture placement. | | |
| [1.] Center attention on; [2.] Center light beam on. | | |
| Row of colored lights usually sunk in the stage floor at front edge of apron and wired for three colors. | | |
| Imaginary wall between stage and audience. | | |
| Spotlight with a fresnel lens that throws an efficient and soft beam; hung from the teaser batten to light upstage areas. | | |
| Transparent medium used in front of stage lights. | | |
| Movement of separate parts of the body such as waving an arm or shrugging a shoulder. | | |
| Throw focus on a certain character in a scene. | | |
| Theatrical makeup | | |
| Actor's lounge backstage | | |
| Framework high over stage from which are supported curtain or scenery riggings. | | |
| Stage crew member who shifts scenery. | | |
| See "floor plan". | | |
| Low horizontal scenery that stands alone and is placed upstage to look scenery in the distance. | | |
| Properties carried on stage by the actors during the play | | |
| Waiting for audience laughter to diminish before continuing dialogue. | | |
| Plano - convex spotlight | | |
| Border lights usually mounted on a wagon and placed on the floor downstage of the sky drop for the purpose of lighting it. | | |
| Auditorium | | |
| Young female character | | |
| Young male character | | |